I am in one of those in between moments : Another big project finished : deciding which focus to bring to the fore : allowing ideas to filter : sifting through my consciousness : I am working on the documentation of “The Sound of Everything” Here is the start:
A frame drum piece- Stills taken from a video shot by Carolyn Nowaczyk.
Photos by Nina Kourea of Ruth Allen’s installation for “The Sound of Everything”. I spoke, danced and drummed infront of these water filled plastic bags. I then took a pin and made small holes in the bags leaving the sound of water as it landed on the ground. Everything is permeable- The sound we make is dependent on our form- and the sounds we make change our form. We are sound : ) Photos by Nina Kourea
I am dancing, drumming, singing and performing my new piano piece ‘Kandinsky’ at the National Gallery of Australia in Canberra this week. The seeds first appeared in May last year through working with dancer Suraya Hilal. It has since been further developed on my own and then with dancer Sarah Hamilton. I am excited to show it and excited by the prospect of working with a bigger musical ensemble to bring it to life down the track.
A compilation of instrumental works created for theatre, dance, film and installation works 2000-2010. Listen and buy from Bandcamp : ) Cleaning out the sonic cupboard feels good : )
hmmmmmm really ? Over 500,000 people have watched my drum clip on You tube? I am in the process of making more clips and developing easy digital formats for people to learn the teaching methods i have come up with. They are a kind of translation of the Egyptian rhythm language i have learnt from Ibrahim el Minyawi : Translated into little pieces and training methods that work for people who have not been born into the tradition. He really is the most gorgeous player i have ever come across by far! Here is the example of my playing.
I recently worked on a project with Glass/Installation artist Ruth Allen. She made me a ‘resonating vessel’. A glass vessel based on the idea of playing resonance percussively. The vessel is sung into and then i use my hand to shape and play with the resonance. We had the chance to explore the idea for her opening at the Glassworks in December. I did some movement/performance as part of it too as well as doing the sound design/music for the installation. Below are some images from it taken by Angus Kendon. I am looking forward to developing the project further.
Quite a number of my instrumental pieces and some songs are being used in this exhibit by collaborator and friend Sarah Moss at the Powerhouse museum this month. I also designed a surround sound soundscape to go with it. Check it out if you can.
I have posted some reviews of my album here.
And my video for Skin which I edited, shot, animated and choreographed dance for will be featured on Skope magazine’s web site this month.
This is a clip off my phone. An installation piece I did the sound for, with artist Ruth Allen, at the Frankston Arts Centre. It is in a window box display and can be seen by the car focussed culture who drive past. The sound was an accidental throw together of the sounds: from the street including some very well timed truck noises, the sounds that were actually being pumped onto the street of mine, plus an overlay of some of the sounds i did for the installation (bowed piano) and a layer of Brian Siskind’s (FOGNODE) lap steel to top it off. He has a gorgeous EP, all lap steel, called “porch music” check it out HERE
There is a lot of dissonance going on in this accidental 3 min phone vid mix job …but somehow in a rather soothing way.
